趙孟頫、文徵明書法共性是什麼？
趙孟頫、文徵明的書法都比較溫潤秀勁，穩重老成，法度謹嚴，意態生動。二人書法都積極追求晉唐神韻，在盡興的書寫中，往往流露出溫文儒雅之氣。
在書法之外的詩、文、畫等方面都有很高的成就。二人在仕途上都比較坎坷。
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趙孟頫《前赤壁賦》筆法解析（第一講）
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趙孟頫《前赤壁賦》筆法解析（第二講）
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趙孟頫《前赤壁賦》筆法解析（第三講）
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趙孟頫《前赤壁賦》筆法解析（第四講）
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趙孟頫《前赤壁賦》筆法解析（第五講）
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趙孟頫《前赤壁賦》筆法解析（第六講）
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趙孟頫《前赤壁賦》筆法解析（第七講）
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趙孟頫《前赤壁賦》筆法解析（第八講）
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趙孟頫《前赤壁賦》筆法解析（第九講）
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趙孟頫《前赤壁賦》筆法解析（第十講）
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更多書法視頻，見於戀上八雅。
趙、文二人書法的出發點都是帖學一派，都屬二王一路書風。他們的作品都用筆圓轉，結體純熟。
趙孟頫因處於宋末元初，彼時因宋代書法尚意而忽視法度，至南宋時書法終於江河日下。這時趙孟頫高舉復古大旗，直接取法魏晉，終於成為後世最接近王羲之的書法家。
文徵明的行、草書則取法黃山谷，振拔挺勁有餘，而從容爾之韻致稍差。但其筆力剛勁，點畫峻利，有陽剛之氣，因未沖和故近猛。
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我倒是沒覺得二者的共性有多大。趙孟頫的字綿軟清秀規矩，文徵明在二王的基礎上更注重結構和協調性，單字更美一些！拙見勿噴！
趙，文二人都是傳承王羲之所使用的技法，也就是古人所說的筆法，而且趙在王的基礎上又有所改進和進步，文徵明也學二王筆法，不過其領會筆法不如趙，而且也受趙影響很大。總之，趙，文都是研究和繼承傳統書法技法佼佼者，直追二王，二人書體能夠找到魏晉書韻，並開啟一代書風，學趙體是學習王羲之筆法的捷徑，而文徵明多用狼毫書寫，字體顯得骨力，姿態都相當好，但缺乏潤度，但兩人都是書法史上頂級宗師，非常值得我們去學習，效法。
趙孟頫與文徵明二人都是追求魏晉二王書法神韻，結字穩重瀟洒飄逸，法度嚴謹，有晉唐人的韻味，書卷味濃厚儒雅，二人在書法上有共性，在繪畫，詩，文造請很深，趙孟頫是上下五百年，縱橫一萬里，舉世無匹!
歷史上趙孟頫之後，能比肩的也就文徵明了。
謝謝邀請，其實文徵明受老趙影響很大。具體說來，老趙是直追二王，越過宋唐，他的書體能夠找到魏晉餘韻，並開啟一代書風，但不是說，老趙不重視唐宋兩代書法，恰恰相反，陸柬之文賦，李北海，宋高宗等人的風格，他都下過大功夫。因此，學趙體的只取其形，是不夠的，要在唐代諸賢里尋求增強筆力，否則軟不拉塌。而文徵明吸收範圍更加廣泛，骨力，姿態都相當好，但由於嚴謹有餘，顯得變化不足，但也值得我們去學習，效法。兩人都是一代宗師，但老趙影響力更大。
陝西在中國出名的名家很多，其中最著名的于右任、劉自櫝，開創了長安畫派的石魯、趙望雲、何海霞。後來是方濟眾、黃胄等人。這幾年、劉文西、王西京、吳三大、雷珍民、吳修、鍾明善、江文湛、王金嶺、陳國勇、趙振川、王海力、張之光、馬繼忠、王有政、崔振寬、郭全忠等名氣很大，還有些名家已故，賈平凹算名人書畫。
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