如何評價雅尼和他的音樂？

文學有雞湯，美術有雞湯，怎能缺了音樂雞湯？我認為，雅尼的音樂就是典型的心靈雞湯。雞肉放得多，湯很大鍋，燉得也久，但還是雞湯。

作為一種音樂流派，新世紀音樂（New Age music）從上世紀70年代開始就是以雞湯的風格出現的，屬於這一派的雅尼也不例外。剛出現的時候，新世紀音樂就具有明顯的功能性，喜歡禪宗和印度神秘宗教的嬉皮士們常常用它來做打坐或冥想的背景聲。為了滿足這種「蕩滌心靈」的功能性要求，新世紀音樂強調旋律的輕柔、悅耳和漂亮，很少有強烈的節奏，也較少有急促和刺激的聲音。即便後來這類音樂不再明確地用於精神按摩，但基本的調性還是不會變的。

比如說雅尼吧，他的音樂明顯增強了節奏感，在悅耳的基礎上多了一份恢弘，但就像我說的，還是一鍋濃雞湯。這種雞湯特彆強調音樂元素的象徵意義，比如聽到小號一定要想到陽光，聽到排簫一定得想起森林，聽到人聲則必須想到天堂般的未來，一切都是規定動作，決不能想到汽車手機車床等工業化的東西。

在一部美劇里，一位年輕的紳士決定跟女朋友分手，原因就一個，他發現女朋友在家中聽雅尼。我覺得這是段子，但不乏道理。當年維特根斯坦不想跟他的姐夫多來往，原因也只一個，「他讀毛姆」。不過我想，雅尼跟毛姆還沒法比。

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兩個字，偉大。也是至今唯一受邀在中國紫禁城演出的音樂家。你說偉大不偉大。??他的音樂容入多種元素，即有大氣磅礴之作，又有委婉動聽之處，古典現代流行民謠，電子樂，，，奧運會所用曲目聖托里尼

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不要拿古典音樂和雅尼一類新世紀音樂作比較。可能聽慣了古典流派的人，就感覺其他的非正常音樂都是垃圾了。古典音樂確實是正統，但是大多偏向嚴肅。其實各有各的好處。

我曾經好一陣子聽古典，確實很棒，那些作曲簡直可以用天才來形容。偶然的機會接觸到雅尼，確實有耳目一新的感覺。他的成就也是有目共睹的。

一個圈子能聚集那麼多提琴，鋼琴，鍵盤手，吹奏，打擊樂，聲樂以及各種特色的樂器演奏組成的大師級，的確可圈可點。演奏會上偶爾會為大多數演奏家提供炫技的機會。排練時候雖然那麼辛苦，真正上場時候，他們還是會心的微笑，互相的。他們是把音樂融入到生活中了。

雅尼作為一個創作型演奏家和作曲家，在編曲協調及演奏各方面確實讓人有耳目一新的感覺，他的曲子大多都很行雲流水，一氣呵成。大家可以聽聽他的one men"s dream，很有雅尼的風格。低調纏綿，演奏和試聽感覺都很棒。

不要說什麼雞湯，還是濃濃的雞湯。可以這麼定位，古典排上等，雅尼等新世紀音樂以及特色音樂（像紅樓夢插曲和水滸傳插曲）排中等，流行音樂排下等，還有亂七八糟歌填上亂七八糟的詞的檯面都上不去，排上去都嫌丟人。要說雞湯，都是搞傳銷，或者類似傳銷類經營的企業來操作的。

個人認為音樂沒有雞湯與否，它本身的作用是放鬆身心達到心理上的滿足。受眾群體不一樣，對音樂的理解也就不一樣。作為普通人，沒有批判古典音樂這種上層音樂和雅尼那種中層音樂的能力。所以提出這個命題還是很不合理的。音樂藝術都是有嚼勁的，越嚼越香的才是好音樂。好的音樂可以流芳百世，差的音樂也就一個流行歌手的壽命而已。大家沒事可以去批判那些低劣的網路歌曲一類，或者為了賺錢而隨意作曲的作詞的，沒有任何美可言。

本人抽空發的一些拙見，時間較緊張，如果說的不好，請多多體諒當過往雲煙作罷。

雅尼是一位希臘鋼琴家，他的音樂一改原來我對鋼琴的認識，原來我認為鋼琴古板生硬，震撼沒有唯美的成分，總不愛聽鋼琴演奏的曲子，自從十多年錢無意聽到雅尼的鋼琴曲，那流暢嫻熟的演奏讓人神往，到現在鋼琴就聽雅尼的曲子，像我國的朗朗演奏的曲子一首都到不了心靈深處就那都稱家了，以我看來只能說會談鋼琴了，雅尼的音樂潛移默化有時行雲流水，有時虛無縹緲有時震撼人心，可以說人家稱大家，他可以稱琴仙了，在現代他創造了音樂史的神話，他改變了人們對鋼琴新的認識，他對人心靈把控尤佳，他的音樂值得收藏，他的即興曲最好，我喜歡他的音樂。將來他會在音樂史上有重要的位置的。