拒聽靈魂的吶喊，執著外在的紛擾；昨日，今日，明日，永無寧日。

 

執著挽不回的過去，空想觸不到的未來；不舒適的一日，豈止明日？

 

坐困往事的愁城，漫遊虛擬的雲端；何處得以棲居？棲居何以如詩？

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

《棲居如詩》: 袁廣鳴個展

Dwelling: YUAN Goang-Ming Solo Exhibition

 

藝術家出席酒會：2015年9月23日（週三）下午6到8時 

Artist’s Reception: Wednesday, 23 September 2015, 6 to 8pm 

 

展期：2015年9月18日至10月17日 

Exhibition Period: 18 September – 17 October 2015

 

漢雅軒在九月為臺灣新媒體藝術家袁廣鳴舉辦首次香港個展《棲居如詩》。

袁氏自上世紀八十年代初便投身錄像創作，長期活躍於國際大展並頗負盛名。

近十年來，袁廣鳴持續圍繞「家」、「居」及「廢墟」的觀念與現象深入探討，

涉及政治和自然生態的考察，延伸至對人類整體生存環境的探問。

他運用精湛的拍攝及數位技巧，發揮其獨特深邃、富詩意的美學，

呈現一種他稱為「不舒適」的感受。

這種「不舒適」來自他對生命與日常生活的關懷，

平時潛藏在意識深處，但每遇到迫切的困境便會被激活。

本展覽以多件影像及裝置作品捕捉這種「不舒適」的感知。

 

Hanart TZ Gallery is honoured to present Dwelling,

Yuan Goang-Ming’s first major solo exhibition in Hong Kong.

Yuan Goang-Ming is recognized as a pioneer of Taiwan’s video art,

and is one of the most influential and internationally renowned artists in the field of new-media art today.

A powerful, total environment of video, photography and installation,

Dwelling continues Yuan’s investigation of the conceptual

and phenomenological nuances of our notions of ‘home’, ‘dwelling’ and ‘ruins’,

but extends the frame of inquiry to the question of overall human survival,

in both a political and an environmental sense.

Through his unique interpolation of technology and a darkly poetic visual language,

Yuan reveals the presence (or threat) of what he calls the ‘uncanny’ within our everyday lives—

that sense of the unknown that hovers on the edge of conscious awareness,

and that often is activated by an impending sense of dislocation, displacement or loss.

 

 

 

 

 

 

 

 

 

 

 

 

 爆忙的一週，暫且把嚴肅的文字擱一邊，來點輕鬆的幕後花絮吧！
It's been extremely busy and tough this week.

Let's have something light and funny on the weekend.

 

 

袁廣鳴「為什麼你今天要戴帽子？」。

我「因為我沒洗頭」。

袁廣鳴「逃生門在哪裡？」（捏鼻子～）。

 

Yuan “Why are you wearing a hat?”.

Me “ I’m too busy to get my hair shampooed.”.

Yuan “Get out of my hair!”........Lol

 

 

 

 

 

 

 

 

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